CALL FOR PROPOSALS – INTER- #7: Experimental sounds for speakers (multichannel, stereo, other).

August 23, 2016 in All Opportunities, Composers, electroacoustic by mwhiteside

INTER- is an event series presenting experimental sound art and studio production for loudspeakers.

We can support 5.1, quad, stereo and are are open to other ways and means.

For each event we prioritise submissions for artists working in the Glasgow area, but frequently programme work from across the globe also. Feel free to send and resend.

Previous participants include – Bethan Parkes, HMBKR, Mark Vernon, Matthew Shoen, Nikki Kane, Felipe Otondo, Jamie Cooper, Nathan Quirk, Luca Nasciuti, Angus McIntyre & Nicola Reade, Roberto Zanata, Nicola Scrutton, Isobel Anderson, Paul Nataraj, Rory Comerford, Seth Rozanoff, Jox Oiz, Lauren Sarah Hayes, Paulo Pastorino, Tim Cooper, Aisling Quinn, Adam Stansbie, Linda O’Keeffe, Xavier Madore, Zoë Irvine & Pippa Murphy, Brian Connolly, Nikos Stavropoulos, Liam Slevin, Thiago Ruiz, Laurence Chan, Michele Del Prete, David Philp, Matthew Grouse, Patrick Shand, Gordon Delap, Damon Lee, Nicolas Marty, Oliver Carman, Jamie Ferguson, Zubuntu, James Andean, Coryn Smethurst, Konstantinos Karathanasis, Alexander Bauer and Luis Valdivia.

The closing date for submissions is Wed 31st August
INTER- #7 will take place on Wed 14th Sept at Stereo in Glasgow.



Please send you proposal to Iain Findlay-Walsh at
with the email title INTER- 7 proposal
by the closing date of Wednesday 31st August

including the following:
– proposal info – 500 words max
– any relevant links to work examples (streamable audio preferred i.e. if possible avoiding downloading complete works at the selection stage)
– detailed tech requirements including file format and whether playback (laptop etc.) can be provided for your work
– brief artist bio

Thank you!



INTER- is a new event series presenting experimental sound work for speakers.

“between” “among” “in the midst of” “mutually” “reciprocally” “together” “during”

These nights are about creating a focused, public listening context for deep experiments in / with sound. We aim to support work and practices which might not fit easily into other performance contexts. We hope these events can help to draw together practices across electroacoustic composition, studio production and field-recording (amongst others) and be part of the exchange between sound and music methods taking place across Glasgow, and much further afield…

We can facilitate stereo, quad and 5.1 playback and are very open to other ways and means.

Proposals of all kinds are welcome – across aesthetic, conceptual and technical boundaries.

We are particularly interested in presenting work and practices which –
– use recording, editing, producing and listening to explore contemporary spaces – real, virtual, liminal
– explore new approaches to environmental recording
– develop reflexive relationships between recordist/listener

We are excited to see what develops through these events.

Perhaps a broad range of
– utopian/dystopian soundscapes
– fragments
– phone clips
– youtube rips
– club/dance diffusions
– field-recordings
– sonic self-narratives