FAKE
Aileen Sweeney
Studies have shown there are links between Facebook usage and depression. Users only tend to share high points in their lives such as engagements, new cars or
expensive holidays. People generally choose to completely avoid sharing their low points
in life. Facebook has also been shown to fuel narcissism. Users post pictures of themselves, usually with some sort of filter or effect, in order to create their own ideal image and gain
approval from their peers. "Fake" draws inspiration from the way in which people utilise
social media, in particular Facebook, in order to share a selected perfect view of their lives. This in turn creates a false image to others, often resulting in depression, loneliness and
low self-esteem. Despite all of this, I’m still addicted to it.
Instrumentation Genre Ensemble (no conductor)
Tag quintet
Duration 8 minutes
Instrumentation
Performances of this work
Date | Venue | Performer | Link |
Upcoming events
- 09 May 2024, 18:00
[opensound: composing for text and working with a librettist with Laura Bowler and Sam Redway] - 09 May 2024, 19:30
[Cryptic Nights: I've Always Lived Beside Screens // The Invisible Hand] - 09 May 2024, 19:30
[Cryptic Nights: I've Always Lived Beside Screens // The Invisible Hand] - 09 May 2024, 19:30
[Associate Artist: Colin Currie with RCS Percussion] - 15 May 2024, 14:00
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- Expanse, by Erin Thomson
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- new work - world premiere, by Aileen Sweeney
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- UN:TITLED 2024
- opensound: writing for harpsichord with Tiffany Vong
- opensound: writing for brass instruments with Gavin Higgins
Projects
- Unusual Music Exchange w/ Ailie Ormston
- Elsewhere, Elsewhen - CD and Digital Album from Nordic Viola
- On a Wing and a Prayer
Opportunities
- phoning it in
- Legato: Call for Early-Career Composers
- Echoes - Connections Crafting Eco-systems through Soundscapes Interactions: a participatory Sound-walk experience and Art conversation