Mean Tone
Oliver Searle
Mean Tone – when pitch goes bad
For solo alto or bass flute
In July 2008, I was standing at the top of the Duomo, looking at the Renaissance architecture of Florence and trying to work out how any composer could get any work done here. Does any of this inspire me artistically? Should it?
What relationship do I have with this beautiful environment, or to the timeless works of art that were created here? Do I have anything in common with the pieces of classical music written in such a historical place, or the composers who wrote them? Should I?
Based on this personal quandary (and perhaps a touch of Stendhal Syndrome – the psychosomatic condition caused by an overload of art), I wrote this piece, using a very stretched-out Phrygian cadence. It gets stuck on the first 4 notes (a 3rd inversion dominant 7th chord), with adverse, quarter-tone tunings as melodic and timbral inflections infiltrate its harmonic function, disrupt its direction and attempt to destroy its beauty.
Instrumentation Genre Solo instrument
Tag solo
Duration 8 minutes
Instrumentation Alto flute [1 player]
Publisher Tetractys _
Performances of this work
| Date | Venue | Performer | Link |
Upcoming events
- 12 Oct 2026, 12:30
[Composers' Coffee Club: online coffee chat for composers & musicians] - 22 Oct 2026, 18:00
[Neil Smith: Try Try Try (soundfestival 2026)] - 28 Oct 2026, 18:00
[Composing for Media - NMS Peer to Peer session 3] - 29 Oct 2026, 19:30
[BBC SSO: Enrico Chapela's 'Antiphaser' (Concerto for electric violin and orchestera)] - 30 Oct 2026, 18:00
[James Weeks: weatherworld quartets (soundfestival 2026)]
Recent updates
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Events
- Composing for Media - NMS Peer to Peer session 3
- Neil Smith: Try Try Try (soundfestival 2026)
- James Weeks: weatherworld quartets (soundfestival 2026)
Projects
- Pete Stollery conducts Joe Stollery premiere
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Opportunities
- Red Note Factory Weekend – 17 & 18 October 2026
- Noisy Nights – Call for Scores
- Nordic Music Days 2027: Call for Works
